Contact Info

The Upgrade Company

+1 269-352-7609

This email address is being protected from spambots. You need JavaScript enabled to view it.

 (6) of David J. Schulte's patents

High Performance

Need the ultimate in High Performance? Discover for yourself how much untapped performance High End audio really has!

Our SE upgraded versions of the latest models are State of the Art

Our unique RFI EMI RIDDANCE TECHNOLOGY strips millions of unwanted pulses from the signal paths power supplies all of which otherwise get reproduced right along with the music & video signals. This frees up 10-100 times the available power supply energy in any given millisecond to more faithfully reproduce the intended music & video signals to STATE OF THE ART Bass response becomes THE BEST as a result, so does liquidity, musicality, ease, palpability, slam, dynamics, sparkle, depth, articulation, clarity, extremely 3D live right before you feeling on music & film is just tremendous when the rest of your system has also been SE upgraded with the same unique RFI EMI RIDDANCE TECHNOLOGY. All brands of non-Upgrade Company upgraded high-end audio (and video) are highly compromised.  The latest magazine reviewed models fail to come close sonically to the same model which has been upgraded by The Upgrade Company.  

Click here to find out why >>>>      

Why Upgrade? 

 

The Upgrade Company - McIntosh Labs
audio_research_5082f8582ba541

The Upgrade Company - EMM Labs

Cambridge_5082f87a3de51.jpg

bel_canto_507fa7c890f491

Integra_4d2b7d014bf8f.png

Parasound_5082f9a471901.jpg

OPPO_4d2b7e87cac7c.png

anthem_5082f845790dd

PS_Audio_5082f9b5b9794.jpg

Reimyo_5082f9c3e0db8.jpg

Mark_Levinson_5082f93a43bff.jpg

The Upgrade Company - Denon Components

MIT_Cables_5082f97e544eb.jpg

Wire_World_4d2b7e32cd7fe.png

Stello_4d2b7e265a221.png

The Upgrade Company - Krell

 

Furman_5082f8f597bbb.jpg

Onkyo_4d2b7dfd540e5.png

JL_Audio_50a9c1c8c1f6e.png

 JVC 4k
 
images-(50)

 


 

 

Payments & Shipping

 

   
 
   


 
   

 

 
   

                           
             


       
          

 

 

The Upgrade Company, AudioVisual Equipment  Dealers, Harbor Springs, MI 

 

 

 

 

 

 

 

 

 

 

Contact Info

The Upgrade Company

+1 269-352-7609

This email address is being protected from spambots. You need JavaScript enabled to view it.

 (5) of David J. Schulte's patents

General Site Search Engine

The Upgrade Company - McIntosh Labs
audio_research_5082f8582ba541

The Upgrade Company - EMM LabsBryston_5082f8b935452.jpg

Cambridge_5082f87a3de51.jpg

bel_canto_507fa7c890f491

Integra_4d2b7d014bf8f.png

Parasound_5082f9a471901.jpg

OPPO_4d2b7e87cac7c.png

anthem_5082f845790dd

PS_Audio_5082f9b5b9794.jpg

Reimyo_5082f9c3e0db8.jpg

Mark_Levinson_5082f93a43bff.jpg

The Upgrade Company - Denon Components

The Upgrade Company - Esoteric

MIT_Cables_5082f97e544eb.jpg

Wire_World_4d2b7e32cd7fe.png

Stello_4d2b7e265a221.png

 

The Upgrade Company - Krell

 

Furman_5082f8f597bbb.jpg

Onkyo_4d2b7dfd540e5.png

JL_Audio_50a9c1c8c1f6e.png

 JVC 4k
 

FIND OUT WHAT OUR CLIENT TESTIMONIALS SAY... 

 

+ 30 Day In Home 100% Refund Period

+ 5 Year Parts & Labor Warranty with Every Signature Edition Upgrade

+ 100% GUARANTEED to beat ANYTHING else on the market!

 

Nothing we sell ever comes back.  

We don't even have to advertise.  Once our clients experience for themselves the extreme high performance & "bang for the buck" we deliver, they keep coming back as funds permit.  

The Upgrade Company would not continue to be A+ rated on the nationwide BBB algorithm month after month unless we were delivering on our promises.

Please call +1 269-352-7609 to place order

Bel Canto Testimonials

Unsolicited Customer Testimonials - Every client has paid The Upgrade Company LLC in full.   No kickbacks, no commissions, no fees of any kind for recommending our products and services.

Bel Canto Player PL-1 DVD/ CD/SACD player SE upgrade transformation feedback

David I accept your explanation for my experience: “Sonic & visual gains are mostly due to massive reduction of radio frequencies spewed out into the air inside the unit by the clocks on that video board which massively contaminated the power supplies and all analog and all digital parts and circuitry. Removing this board caused a massive reduction in the number of feet of wiring & parts & circuit traces collecting all that RFI generated inside the player by clocks.”

As you know, during my Bel Canto PL-1 SE upgrade, I asked to have my SDI video board disconnected since it had failed and Bel Canto could not repair it and I really no longer needed this video board after moving to my Upgrade Company Oppo 95 SE Blu-ray player for all video playback.

When my PL-1 was returned, I discovered my remote control no longer worked due to the disconnected video board. After obtaining your permission to break the SE Upgrade seal, enter the box, and reconnect the SDI video board to get remote control function back, I noticed a severe deterioration in music playback.  As a music purist my decision was a NO BRAINER, I immediately disconnected this video board again, and am now foregoing music playback without the use of a remote control. You guys are correct! Not having those clocks on that board spewing RFI into the power supply digital and analog circuitry, the sound got WAY better on top of your SE upgrade.  RF contamination doe indeed appear to be a HUGE factor in electronic reproduction.  

My Bel Canto Player PL-1 sounds simply fantastic with your SE upgrade.  It is now even better then my Upgrade Co. Oppo 95 SE did. When you sent me back my Oppo 95 it clearly bettered this $7500 Bel Canto PL-1 on music playback.  Video of course was a lot better too.

This also proves that upgrading a modest Oppo player with your SE upgrade RFI/EMI riddance technology & higher end parts and wiring does indeed far surpass much more expensive players.

Great work!!

Paul Elliott

______________________________________________________________

Bel Canto PRE-2 Mutli-channel Preamplifier Upgrade Testimonial
by UCLA Professor of Music and composer, Prof. Paul Reale (retired)

The preamp is the heart of any audio, multi-channel music or video system, because all signal sources must pass through it. Traditionally, reviewers in the audiophile press rhapsodize about the "straight wire with gain" concept that should be the paradigm of all preamp design. This hopelessly simplistic assessment ignores some primary features that good preamps must have. First: live music is phase incoherent, meaning that all first violins that sound like they start together do not in real life, but coming out of a loudspeaker, they do. The partial chorus effect of a live violin section is the essence of what makes live music live.  It is then the job of electronic devices to create the illusion by revealing every nuance of each instrument: that means micro dynamics, timbral honesty, and real silence.

For decades I searched for a preamp that would add no coloration to the musical thread, yet would create dynamic excitement to the total recording. Initially, I used tubed designs by McIntosh and Luxman, which had a euphonic roundness to the sound was a believable illusion of a real concert. Unfortunately, these euphonic colorations were at variance with the real sound.  Eventually, I did a complete about-face and had a proprietary passive line stage made for me with short, silver wire runs. Finally, I had my clarity, but the visceral impact of live music was missing. It was in the area of microdynamics that this feature was lost. About three years ago, after auditioning many preamps, both tube, hybrid, and solid state, I came across the Bel Canto PRE2.  It had most of the clarity of the passive "silver" line stage, but it had some punch, very necessary for the newly acquired Sound Lab M-1 PX's that I had gotten.  I always felt that this was a good compromise: many Sound Lab owners tried to compensate for the electrostatic problem by using tube amplifiers, which, by definition, are more dynamic because there are wider voltage swings that accompany the impedance swings over the sonic spectrum. That way I see the problem: live music has a "rounded" quality that is the result of a fully realized spectrum of the sound in real time. Tube preamps mimic this effect, while not really communicating the real contour. You can compare live vs. recorded sound by focusing on the decays of instruments. Any electronics that get in the way lessen this effect, which is why direct-to-disk LP's are often so satisfying.

Dave Schulte of The Upgrade Company had already upgraded my EMM Labs CDSD-SE & DAC6e-SE digital front end with spectacular results, when he suggested that he could improve my preamp. I liked the Bel Canto preamp overall the best of all the stock units I had auditioned, but it could not provide that holographic sound stage that tube preamps mimic with ease, at the expense of tonal accuracy. What I was looking for was that effect of instrumental and vocal fullness, often associated with "bloom," common to preamps with pure vacuum tube design. When I got the unit back from him I did the usual burn in on each of the inputs, and I noticed on one of the burn in CD's a noticeable increase in the resolution of fine detail in the sonic layers.  Just maybe, this upgrade would create the control amp that I had sought for decades.

What, exactly would be the needed improvements?

  1. Image stability: the ideal preamp would create a rock solid stereo image, based on the retrieval of low level information.
  2. Timbral rightness: the envelope of each instrument would  give it a unique sense of presence: particularly the attack and the decay.
  3. Proper rendering of micro dynamics: our illusions of loud and soft have a lot to do with apparent, subjective perception, rather than an absolute measurement of dB's. A violin playing forte  is putting out .2 of  an acoustic watt, while a bass drum at the same dynamic level could put out 20 or more watts.  Particularly critical is the moment of attack of the bow on the string. There is the illusion of great energy in live performance that is almost impossible to capture listening to a recording. The generation of loudness at different frequencies creates terrible problems for the preamp/amp pair, where the impedance can vary by a factor of 10.   
  4. Overall smoothness: rather than cold or euphonically sweet, the sound would have a smooth, effortless quality that should compel the listener to turn down the sound, because the soundfield has so much more believability and weight. As it turns out, the upgraded preamp has all of these qualities in the extreme.  Particularly in the area of microdynamics, the real decay of the instrumental and vocal envelope is completely revealed, giving much of that holographic presentation that is rare in any solid state preamp.  I have never used a better control amplifier.

Paul Reale, CA  This email address is being protected from spambots. You need JavaScript enabled to view it.
February 7, 2011

___________________________________________________________________________________________________

In a message dated 2/15/2011 7:28:46 P.M. Eastern Standard Time, This email address is being protected from spambots. You need JavaScript enabled to view it. writes:
Dear Dave,

When it comes to musical sound, I am impossible to fool. I have absolute pitch and can tell you the manufacturer of a recorded piano. Major performance organizations, electronics companies (like Wadia, Bybee and others), as well as MAJOR record producers have relied on my ear for accuracy. I don't care to know details on what you do to dramatically improve my gear/sound, you get results, and that is GAME OVER.
Paul Reale 

 Hi David, 

Hope things are going well.  I have over 1000 hours on the dac now and could not be happier with the results. The performance is easily some the best digital I have heard.  I listen to the music without paying attention to audiophile parameters, but to the musical performance of the artist.

Thank you so much,
Billy Thompson, FL

Page information last updated: 20/04/2017

Disclaimer: We believe but do not guarantee that the information on this website is correct at the time of publication.

Our Clients Say...

 

March 2018

 
David Berger, CA
 
 
Marc A., Illinois
 
 

February 2018

 

 

 

 
David Berger, CA
 
 

January 2018

 
Erick
 

December 2017

 
Dr John Read, Saudi Arabia
 
 
Phil Ho, Sacramento, CA
 

November 2017

 
Ronald S Stroud, M.D.
 
 
Don Fleming, North Carolina
 
 
 

October 2017

 
Dave Allison, Texas
 
 

September 2017

 
Ron D, Illinois
 

August 2017

 
Doc John
 

July 2017

 
Sam Disney
 

June 2017

 
Don Kaplan, Virginia
 

May 2017

 
Pandy
 

April 2017

 
Phil Ho, California
 

March 2017

 
Tom Drummond
 

February 2017

 
Phil Ho, California
 

January 2017

 
Paul E. Minnesota
 
 
Seth S.
 

December 2016

 
Chip Stern
 

November 2016

 
Dr John Read, Riyadh, Saudi Arabia
 

October 2016

 
Rich H, Colorado
 

September 2016

 
Fred Laury
 
 
Fred Laury
 

August 2016

 
Erick Perry
 
 
Erick Perry
 

July 2016

 
Rob Gallos
 

June 2016

 
Chris Sanabria PhD, Texas
 

May 2016

 
David Donohue, PA
 

March 2016

 
Pete Stumberg
 

February 2016

 
Manuel Ortiz
 

January 2016

 
Brent Brisco, Canada
 

December 2015

 
 
Jim Wojno
 
 
Jim Wojno
 

November 2015

 
Dr. Bob Baker, FL
 
 
Neil, Texas
 

September 2015

 
Alfredo, Texas
 
 
Paul Elliott, New Prague
 

August 2015

 
Manuel Ortiz
 

July 2015

 
Seth Shabo
 

June 2015

 
Gary L. Peeke, Chicago
 
 
Gary L. Peeke, Chicago
 

May 2015

 
Jeff & Joann Goldberg, Michigan
 
 
Pete Stumberg, New York
 
 
Ben Hayes, Australia
 

April 2015

 
Tom Drummond
 

March 2015

 
Tom Mathews, Georgia
 
 
Tom Mathews, Georgia
 
 
Tom Mathews, Georgia
 

February 2015

 
Mike R, FL
 
 

January 2015

 
Jim Wojno
 
 
Dr. Alfred Balitzer, CA
 
 
Sam G, NY
 
 
Joe Westerman, Ohio
 

December 2014

 
Chris Huggins, Canada
 

November 2014

 
Brian Breslin, Canada
 
 
Alfredo Piñeyro-Garza
 

October 2014

 
Richard Gunther
 
 
Yasuo, Japan
 

September 2014

 
Dave Dalton, Indiana
 
 
Dave Dalton, Indiana
 
 
Dave Dalton, Indiana
 
 
Rick Gallos, Canada
 
 
Rick Gallos, Canada
 

August 2014

 
Jean-Michel, Canada
 

July 2014

 
Rob Gallos, Canada
 
 
Dr. Ronald Stroud MD
 

June 2014

 
Rob Gallos, Canada